This Floating Poo Was Far Too Symbolic! These Are the TV Letdowns of the Past Year.

As we reflect on the TV landscape of the recent year, a handful of shows emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward spin-offs to bafflingly poor docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the third series started, it seemed as if it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It concluded on a bum note; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Still, fans undeniably found joy picking apart every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to begin listing the flaws. The laughably leaden dialogue? The tedious glorification of wealth and consumption? The seemingly wilful procession of tropes? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing dialects. But there were many other problems. Primarily that it was just profoundly dull; a dispute over narcotics territory between various cockney rogues which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into twee homemaking as deliberate provocations. But then you view them and are forced to concede that actually, they might have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll not remember instantly. All supported by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the experience was akin to reading a sales brochure. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too complicated to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for explicit escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Jennifer Carter
Jennifer Carter

Elias is a business strategist with over 15 years of experience in corporate consulting and digital transformation across European markets.

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